Events

Urban Field Speaker Series 2012

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Get your 2012 pass and 2012 gift passes now, while quantities last!

Prefix Institute of Contemporary Art is proud to present the seventh season of the Urban Field Speakers Series. This international lecture series brings together an array of global and local participants, including artists, architects, curators, designers and scholars, who offer unique perspectives on the role of art in transforming the experience of the city. Past series have featured presentations by such erudite speakers as Alfredo Jaar, Cuauhtémoc Medina, Chantal Mouffe, Saskia Sassen and Anthony Vidler, moderated by local luminaries such as Adrian Blackwell, Luigi Ferrara, Elle Flanders, Shawn Micallef and Dot Tuer. The upcoming season features a stellar roster, as follows:

Krzysztof Wodiczko
Barbara Fischer, moderator

January 19, 2012 at 7:30 PM
The internationally renowned artist speaks about his pioneering video projections on buildings and monuments, and the involvement of city residents. Moderated by the Executive Director/Chief Curator of the Justina M. Barnicke Gallery, Hart House, University of Toronto.

Nikos Papastergiadis
Rinaldo Walcott
, moderator

February 9, 2012 at 7:30 PM
The Professor of Cultural Studies, Media and Communications at the University of Melbourne speaks about public screens and their transformation of public space. Moderated by Rinaldo Walcott, Associate Professor and Chair of the Department of Sociology and Equity Studies in Education at the University of Toronto.

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Working Papers 2011-2012

Join us for this year’s Working Papers on the Visible City Series: scholarly works in progress, presented in a casual salon setting in the spirit ofcollegial feedback.

2012 Theme: Cinema and Media

Wednesday January 25, 2012 4PM-6PM

Hosted at Free Times Cafe, 320 College Street, Toront

Dr. Nadine Boljkovac, Cambridge University

"Signs Without Name: An exploration of Chris Marker’s Sans Soleil (1982)"

This paper argues that Marker’s Sans Soleil derives its affective force from doublings and ‘faces’ of horror and beauty that reveal a twofold synthesis of actual and virtual. While a focus upon the material, ever in relation to transient yet lingering sensations, cannot discharge the power and force of the film, this paper endeavours nevertheless to assess and evoke Marker and Gilles Deleuze’s own interrogative methods that thoroughly explore, in the manner of a revelatory “schizoanalysis” or empiricism, molecular and variable operations beneath our molar structures and organisations. As Sans Soleil's voiceover states, “If they don’t see happiness in the picture, at least they’ll see the black,” a provocative remark that invokes indefinable singularities and the darkness of a wound, cracking of time and splitting of self in film, life and death. Considerations of death, consciousness and subjectivity extend this paper’s examinations.

Presented by: The Visible City Project + Archive & York University